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[U437.Ebook] Get Free Ebook Concertos and Choral Works: Essays in Musical Analysis (Oxford Paperbacks) (v. 3), by Donald Francis, Sir Tovey

Get Free Ebook Concertos and Choral Works: Essays in Musical Analysis (Oxford Paperbacks) (v. 3), by Donald Francis, Sir Tovey

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Concertos and Choral Works: Essays in Musical Analysis (Oxford Paperbacks) (v. 3), by Donald Francis, Sir Tovey

Concertos and Choral Works: Essays in Musical Analysis (Oxford Paperbacks) (v. 3), by Donald Francis, Sir Tovey



Concertos and Choral Works: Essays in Musical Analysis (Oxford Paperbacks) (v. 3), by Donald Francis, Sir Tovey

Get Free Ebook Concertos and Choral Works: Essays in Musical Analysis (Oxford Paperbacks) (v. 3), by Donald Francis, Sir Tovey

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Concertos and Choral Works: Essays in Musical Analysis (Oxford Paperbacks) (v. 3), by Donald Francis, Sir Tovey

A collection of critical essays containing nearly all the concertos in the standard repertory, from Bach to Walton. The choral works include long essays on Bach's "B minor Mass", Beethoven's "Mass in D", Haydn's "The Creation" and Verdi's "Requiem" amongst other famous works. Sir Donald Tovey, best known for his "Essays in Musical Analysis", has also written "Symphonies and Other Orchestral Works", "Chamber Music" and "Beethoven".

  • Sales Rank: #2722932 in Books
  • Published on: 1989-05-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.19" w x 5.31" l,
  • Binding: Paperback
  • 456 pages

About the Author

About the Author:
Sir Donald Francis Tovey was Reid Professor of Music at Edinburgh University for many years, as well as a pianist, composer, conductor, and writer on music.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Musical criticism at the highest level
By George Goldberg
Sir Donald Tovey is widely recognized as the leading music critic of the early 20th century writing in English. These essays are all interesting, often provoking, but it is essential that you can read music as there are many notated examples. I have given this collection only 4 stars because these essays are all old (Tovey died in 1940) and many of his conclusions may be superseded by later research; nevertheless, they're all worthwhile if only as a representation of the best musical scholarship of the time.

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