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A"sequel" to and builds on Violin Making, Step by Step. Full size drawings for the 4/4 (755 mm) cello and its inside mold. The process of making a master cello, including some alternate tools and techniques, is described in detail and illustrated with numerous photographs. This new (third) edition also includes full size drawings, measurements, etc. for a 7/8 "Guadagnini" cello.
The Strobel books for violin makers are professional, concise, and convenient, reflecting traditional, conservative, and artistic work. Some forty thousand sold, they are use internationally by student, amateur and professional makers in shops and schools, and referred to by manufacturers, sellers, users, and lovers of bowed instruments. High quality 8.5 by 11 in. paperbacks made to lie flat and last on your workbench.
- Sales Rank: #609325 in Books
- Published on: 1995-07
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x 8.75" w x .25" l, .45 pounds
- Binding: Paperback
- 62 pages
Review
"The energetic Mr. Strobel is now onto his sixth handbook, and this modest volume contains a wealth of valuable information for the novice and, I would guess, not a few professionals as well. . . . Strobel's motivation in publishing these handbooks from his delightful country workshop is purely and simply to help someone out here to share in the great pleasure of building an instrument to be proud of. I am sure he has already succeeded many times over." -- John Dilworth in the March 1996 Strad Magazine, London
(Cello Making, Step by Step) ". . . deals with the special problems of the cello, a table of nominal measurements (quite complete), lots and lots of drawings and patterns, and full explanation of everything that is different about making a cello. Useful directions and photos of moulds, cradles and clamp setups. This is a very good shop manual . . ." -- David Brownell, Editor, Michigan Violin Makers Association Journal
About the Author
Henry Strobel is the author-publisher of seven books on violin, viola, and cello making, repair, and adjustment, which are used worldwide. He recently published a video Watch Me Make a Cello, Step by Step. Born in Indiana in 1936, he had a first career as an electronic design engineer, and was one of the founders of Digital Telephone Systems, Inc. in California, which manufactured transmission and switching equipment. He served in the US Air Force service in Scotland as a communications officer. He studied violin as a schoolboy, made his first over thirty years ago, and has had his own violin business for twenty years, fifteen at his current full service violin shop in Oregon, where, with his wife and sons, he also makes violins, violas, and cellos, and writes books.
Excerpt. © Reprinted by permission. All rights reserved.
Preface to the Third Edition
The second edition had only minor revisions, and this third edition is unchanged except for the important addition of data and drawings for making an artist class "7/8" size cello. Happily the exhaustion of the second edition coincided with the publication of my first video which illustrated the making of such a cello. Looking at the Afterword in this book, I wonder at the changes, the continued growth in violin making and in sales of these books, the ever increasing use of computers, E-mail, doing business on the internet, and our inevitable introduction of a video. But we still make and like our fiddles the old way.
Addendum for a 7/8 Size Cello
Violin Making Live! or Watch Me Make a Cello, Step by Step, is Henry Strobel's first video. In it he demonstrates and explains the violin maker's procedures and processes (common to violin, viola, and cello), using a cello as the example. Fortunately the cello model, adapted from a 7/8 size J. B. Guadagnini, made a wonderful sounding instrument in a size just right for a neglected minority of cellists. The documentation to reproduce it, lacking in the video, is published as an addendum to this Third Edition of Cello Making, Step by Step at the center of the book, just above the 4/4 size drawings. Readily removable for use, its pages are numbered A1 through A12, leaving the pagination of the basic book unchanged for reference reasons.
Most helpful customer reviews
23 of 25 people found the following review helpful.
rebuttal of previous review
By cgreen@ptialaska.net
In preparation for building a cello, I have successfully built a violin using Mr. Strobel's "Violin Making Step by Step". I have reasonalble amatuer woodworking skills and simple but adequate tools and space. I also reviewed all of the reasonably obtainable sources on violin constuction and found Mr. Strobel's books to be more helpful than most. The author recommends the first time builder of a cello to first build a viloin in his preface to "Cello Making" and I heartily agree. The price of the wood is much cheaper and techniques can be mastered on a smaller scale. The price of his book is about that of one cello lesson and it will last a lot longer.
2 of 3 people found the following review helpful.
Must Have for Those Who Fix String Instruments
By KickingSixtyChick
My husband is the woodworker in our family; our daughter plays the cello and also is a public school string teacher. Last year she had a cello in bad need of repair but her school budget didn't have the money to repair it, so. . .she brought it home to Dad and they got it fixed. Unfortunately, they had to completely take it apart to fix the problems but didn't have all the supplies to put it back together. Fortunately she could afford to pay someone else to glue it back together. This sparked a seed in my husband to want to learn more about how to work on a cello and we finally found it in this book. NOT FOR BEGINNERS, it does have all the information you need to work on a cello but we recommend also getting the "Violin Making" book as the two work hand-in-hand.
0 of 0 people found the following review helpful.
Great book, but you also need the Violin Making Step by Step
By Alyce Chandler
These are great books, but you need the Violin Making Step by Step because it relies on the violin book to fill a good part of the making process.
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